Jesting aside, it’s a very smart feature for a game essentially designed around showing off.Over the top action! This genre is everywhere in movies and TV. These can then be saved, or immediately uploaded to sites such as Twitter, so prepare for an influx of cartwheeling mayhem filling up your feed come launch day. Given that the goal of the game is to become a living highlight reel, My Friend Pedro wisely integrates social media options, automatically recording your craziest kills and turning them into. It’s strikingly weak satire in comparison to the winking smartness of everything else on display. The only misfire is a stage poking fun at “hardcore gamers”, that features the kind of low-hanging fruit you’d expect from Family Guy or latter-day Simpsons. This head-pounding soundtrack, combined with Pedro‘s overall weirdness, makes for a memorable universe. These woozy, hypnotic visuals are backed by an excellent techno score, performed by artists including Noisecream and Battlejuice. Visually, My Friend Pedro contains a strange dream-like style, which lends a little abstract security to the grim fetishization of gun violence taking place on-screen, making the graphic action feel surreal, even slapstick, ala Shoot ‘Em Up or Deadpool. The only real opponent here is your own time and patience. Practice is key in My Friend Pedro, and players will only get out of it the effort that is put into it. Once you’ve done that, keep doing it, find those lost seconds, shorten those firefights, trim down your time records, master your skateboarding skills. Guide the protagonist through around six chapters, each featuring between seven to ten levels, while honing your skills at traversing the environment, dodging damage, and taking down armies of enemies in as quick and smooth a fashion as possible. All of this is achieved via My Friend Pedro‘s intuitive twin-stick control system, allowing for lock-ons, split-firing, and quick access to your growing cache of weapons.Īside from several unique sequences and boss battles (which I won’t spoil here), that is, in essence, the entire game. When the returning fire gets a little too thick, a quick twirl, forward roll, and even nearby furniture can give you a second of breathing space before you continue on your quest to fire and forget. At the click of a button, players can slow the action right down, allowing for accurate placement of individual shots, a stylish reload, or just an extra second to plan the next move from your second-story suicide dive. The real points, however, are racked up by cutting loose and getting your John Woo on.Īlso helping players out in a pinch is that mainstay of the early ’00s: Bullet Time. At the end of each stage, bonuses are awarded for speed, one-life runs, and clearing the entire stage of enemies. With a deep control engine built almost entirely on platform traversal and gunplay, the player must combine our hero’s acrobatic and sharp-shooting skills in order to reach the end of each stage quickly, efficiently, and hopefully not resembling Swiss cheese. The aim of My Friend Pedro is simply to complete each stage as quickly and as smoothly as possible.
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Guided by his banana buddy, the protagonist then ventures through a series of equally odd locations, stocking up on an arsenal of automatic weaponry and throwing endless lead in harm’s way.
Convinced that his life may be in danger, our protagonist grabs an errant handgun and proceeds to break out of their meat-locker of a cell. A young masked man awakens in a dingy basement, bought around by a somewhat irreverent talking banana. The narrative of My Friend Pedro is simple, yet frightening.
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